HOME IS WHERE THE HEART IS

27 07 2006

By Anita Marie Moscoso

This story inspired by the following exercise at the Soul Food Cafe:

The Deserted Farmhouse

http://www.dailywriting.net/Farmhouse.htm

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 Back along on Deception Road is a little farmhouse that no one lives in.

After the house was built and then put up for sale the orchard out back died, the little vegetable garden died and all of the pumpkins and squashes and tomatoes rotted right on their vines.

Even the flowers in the window boxes shriveled up and turned to dust within a day or so after they were set out and all the little farmhouse could do was slam its doors open and shut and make the clock in its kitchen strike twelve over and over again.

The man who built the farmhouse, Travis Janosik, use to stand out at the road and wonder what the hell was going on in there, why was it that nothing could live near that place without giving up the ghost.

There was nothing about Travis that would make you say, ‘you know that killer house? The one on Deception Road? It was built by Travis Janosik” and the person you would be talking to wouldn’t reply, “ Well of course it was a strange house. Look who built it.”

No, the house turned bad all by itself and this bothered no one more then Travis. What bothered him more than that though happened when the house was two years old.

That’s when someone actually bought it and moved in.

The ‘someones’ who bought the farmhouse were the Korbar Family.

Travis use to drive out to Deception Road and park across the way from the Farmhouse and watch it. He’d see Darius Korbar working the vegetable garden or see him sitting on the porch with one of the many children he and Mrs. Korbar had and they acted like any other family living in those hills.

Unless of course you really watched them the way Travis did.

At first he had no interest in the Korbar family. His interest was in that house and what it was up to now. It didn’t have to settle for killing plants and the odd field animal that got to close to its walls. Now it had the Korbar children who scuttled around the property in their ill-fitting clothes.

At least that’s how it looked but then Travis realized it wasn’t the clothes that didn’t fit right, it was the bodies inside the clothes that weren’t right.

The children’s heads were to large for their small bodies and their hands and feet didn’t seem to be the same size and when they talked Travis felt the hair rising up on his arms and the back of his neck and that’s when he’d cut his daily vigil off.

Once Travis saw Mrs. Korbar come down the front steps with a tall glass in her hand and make her way to the garden to where Mr Korbar was working. She handed him the glass and he kissed her cheek and then she made her way back up the steps and Travis watched her but didn’t notice that as she climbed the steps her head was tilted slightly backwards and her back was straight as a pole and she never bent her knees.

It was like she was gliding up the steps and not walking up them at all.
Towards the end of the summer the gardens were dead and rotten and Mr Korbar was out there working it like it as if it were alive and thriving. The ground was water logged and moldy with green slime. The vegtables were rotting and decayed and you could actually smell it when the wind shifted.

On top of the fact that Travis was watching a man harvest from a garden full of rotten vegetables he was also sure that some of that smell was coming from Mr Korbar too.

Travis promised himself after that visit he wouldn’t go near the Farmhouse on Deception Road. Something was wrong with it, something was wrong with the people living inside of it and Travis was certain if he didn’t stop going over there something would be wrong with him too.

Of course, it was too late because that something had already happened to Travis and he found himself standing at the end of the drive leading right up to the Farmhouse the next day.

He was in plain view and Mrs. Korbar must have seen him from one of her windows because he wasn’t there for long before she came down the steps and met him with a basket of rotting carrots and maggot filled tomatoes on her arm.

“ We never got the chance to thank you for building this wonderful house Mr Janosik. Its perfect and we love it so.”

Travis was looking into the basket of dead and decaying vegetables and he said, “ How could you love it so? Nothing can live inside of that thing…”

And Mrs. Korbar said, “ Well, Mr Janosik nothing does…”

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DEVILBIT LAKE

27 07 2006

By Anita Marie Moscoso

Inspired By “B is for the Blade of Grass”

at the Soul Food Cafe:

 http://www.dailywriting.net/Alphabet/B.html

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Baneberry Troublefield use to live out on Down Turn Road back when Down Turn was the only road going though Feverfew County. Now days you know that Feverfew is this historical place and people come from all over the world to see Devilbit Lake because it happens to be the deepest lake that exists anywhere in the world.

To be precise Devilbit Lake is bottomless and cold and shines green no matter what color the sky above it is and it still shines at night. The last Space Shuttle that went up took pictures of it and in the picture you can see the oval shaped lake staring back up at you as green and bright as a cat’s eye in the dark.

I’ve heard that Scientists think it’s some weird kind of algae that makes the Lake glow like that, but as much as I respect science I’d have to say in this case it’s a bunch of hooey and they WISH it was algae. If it were true then that would mean that Baneberry Troublefield was wrong and that would restore order to anybody’s universe after hearing Baneberry tell his story.

Baneberry was about 10 when his family moved out to Feverfew, his Father was a Doctor and his Mom was a nurse and they both worked at the Feverfew Sanatorium. They treated patients with these incurable diseases like TB and Leprosy. Feverfew Sanatorium wasn’t a bad place you know. It was just sad and lonely and packed from the basement to the attic where the Chapel was with people who never expected to leave its walls alive and most of them didn’t.

The Patients at Feverfew spent their days in beds or in little rooms with dark hardwood floors and windows that were never opened. But all of those windows looked out on the Lake because it was suppose to help remind the patients that the world was still out there.

Most of them asked, after a while for the curtains to be drawn because they didn’t want to see the Lake anymore. One of them told Baneberry’s Mom “ Nurse Troublefield, it’s that Lake. It feels like it’s watching me. And that awful man who sits on that rock…” they’d shudder and say, “Please shut the curtains”

After awhile Nurse Troublefield hardly ever opened them anymore.

No one asked why.

One day when the ward was empty and being made ready for the next group of unfortunates to be brought up (by train in those days) she found herself idly staring out the window when she noticed the lake was perfectly still. There wasn’t a wave or a ripple or as much as a cat’s paw making it’s way across the bright green water. She reached up for the cord to pull the curtain closed and the perfectly still green lake…

Waited.

That was it, Devilbit Lake was waiting Nurse Troublefield decided, to see who would move first. Only the lake was a body of water so how could it be waiting? She knew it was true, the Lake was waiting, who would move first?

The air around her got warmer and she could feel the sweat start to run down the back of her neck, she could feel it under her arms and her mouth was dry, dry and dusty. She wanted to itch her nose in the worst way but she refused to move and just as she was about to turn away the lake shifted just a little and she reached up and pulled the cord so hard the rod came down on her head.
After that day it was War.
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Nurse Troublefield made it her business to chart the Lake just like she would one of her Patients. She saw Nurse Martinez who was standing with her back to the window and talking to one of the Patients look over her shoulder several times in just a few minutes before she walked away from the window.

She watched Dr Grayford staring out the window for the longest time and when he turned around his pupils were so large that his eyes almost looked black and his skin was pale.

“ I thought I saw a man down there, sitting on the rock” Dr Grayford said “ but he wasn’t really there. I mean, “ he looked back out the window and back at Nurse Troublefield and then he walked out of the ward.

Dr Grayford rode the Corpse Train that night to the next town of Sherry and never came back to work again. Nurse Troublefield heard later that he left medicine all together and took over his family’s dairy farm.

It didn’t take long for Nurse Troublefield to fill almost 400 pages in her logbook with notes concerning the affect the Lake had on the staff and the patients at Feverfew. She spent all day going over them and then she decided it was time a closer examination.

Nurse Troublefield went down to the Lake itself and stood as close as she dared to it’s edge. The water was dark green at the edges and the further out towards the center it was lighter.

It was very quiet and pretty and she started to feel silly. After all, she’d let herself get worked up over water. It’s not like it had teeth or claws or could rob you at gunpoint. It was just still, quiet water.

That’s when she saw the man at the edge of the Lake for the first time. He was sunning himself on a rock and fishing. His hat was pulled down over his forehead and she thought he was whistling but then she realized the sound she was hearing wasn’t coming from him…it was coming from the Lake.

It hummed and echoed in on itself and the thick green water turned slowly in the center and the little spirals reached out and then were pulled back down again.

The man noticed Nurse Troublefield and stared back at her and sat there as still and as unreadable as the Lake.

Nurse Valaria Troublefield was use to that look, that emptiness, it was a death’s mask and it didn’t throw her off balance for a second. It’s a lovely day to fish, isn’t it? “ She said.

The man said nothing in reply but he didn’t look away either.

“ You’re not here to catch fish though, are you?”

The man lifted his head and she could see his burned peeling lips and the dust and grime around his cheeks and mouth. He smiled and turned back towards the water.

“ My Patients at the Sanatorium up on the hill, they think the Lake is watching them, that it wants them. Some of the staff has seen things that have made them run away from their jobs and homes without a second thought.”

“ I think those are the smart ones. They’re the ones who got away. Aren’t they?”

The pole fell not with a splash into the water but with a small hollow click, and as the man stood up his movements were more spider like then human.

He turned to the Nurse and said to her, “ Come on in, the Water’s fine.”

Then he walked off the rock and was pulled down into the water and Nurse Troublefield thought of Quicksand as the water closed over the man’s head.

There wasn’t as much as a bubble, a ripple or a sound from the Lake but if it could have the Nurse was sure it would have been laughing. Worse yet, she really believed him…she really believed the water was fine and she almost followed him in.

Almost.

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As the days and weeks wore on it wasn’t just the people at the Sanatorium that began to notice the Lake. Stories about the Fisherman started and he began to not only show up at the Lake’s edge he started to show up on the Feverfew Loop Highway.

People would stop to ask the old man if he needed help and he would lean into the car and tell them, “ Come on in, the Water’s fine. “ and then he would straighten up and somewhere on the car would be a watery handprint that would be visible for days no matter what you did to wipe it away.

The rest of the people he talked too just disappeared and all they ever found of them were their cars or bikes or shoes somewhere near the lake.

So the question most people ask Baneberry Troublefield is, who is the Old Man and what is his connection to the Lake? Did he die there? Is he a ghost?

Baneberry has his own theory and I’ll take his word for it.

“ That old man, he’s a Bimini Twist” He’ll tell you.

“ A what?” You’ll ask.

That’s a non-slip double line fisherman have to use when they go for game like big billfish. Anyway that’s what he is. He’s an honest to goodness Bimini Twist; I don’t think he’s the bait. That’s what the Lake is. That Lake, it gets your attention. But the old man…he’s what brings you in.”

“ So who’s out there fishing Baneberry?” you’ll probably laugh.

Baneberry will laugh back at you and say, “ Why don’t you go out and see for yourself, I’ve heard the Water is Fine.”

That will stop you from laughing and trust me, it will stop you from pulling your car to the side of the road to offer help to little old men with fishing poles in their hands.

I hope.

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EMPLOYEE OF THE YEAR

27 07 2006

By Anita Marie Moscoso  

Inspired By The Soulfood Alphabet Project:
C is for Facing Chaos

http://www.dailywriting.net/Alphabet/C.html

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Binnie Cardea works for a company called Bannatyne and Hayman.

Well, that’s not exactly true, she lives for a company called Bannatyne and Hayman, she exists for Bannatyne and Hayman, she’d be nothing and I mean nada but another little fish in the big overcrowded fish pond of life where all the little fishes looked the same if it wasn’t for Bannatyne and Hayman.

Each weekday morning Binnie Cardea’ s alarm clock goes off at 5:00 and she really does jump out of bed –just like people in the commercials that advertise how grand life is if you buy the right mattress to sleep on. Then she snaps her alarm clock off with a happy tap and sings as she starts her shower.

She hums as she washes her hair and whistles as she dresses.

Then she collects her work tools from the sideboard in her hallway and…I kid you not practically skips to her car.

One day Binnie got to work at 6:30am sharp, her tool kit clenched in her happy relaxed hand when she saw everyone, and that included the office staff, the salespeople and even the clean up crews standing around the workshop.

They were standing around with worried lines creasing their foreheads, no one was smiling or making for the box of doughnuts on the ‘treat bench’ that held their coffee machine and cups and the little ice color underneath where they kept their juices and pops and bottled water.

“ What’s up? “ Binnie asked with a song in her heart and a smile on her face to no one in particular.

“ The Morana’s are opening a plant up in Edgewater.” She heard a voice say from across the workshop and her heart really did freeze up in her chest- right along with the smile on her face.

“ Oh,” Binnie said and everyone turned to face her “ oh is that what they think they’re going to do?”

That’s what the Morana’s did…a company like the Morana’s did to small companies like B&H what the locusts do to crops and the cold virus does to anything with a respiratory system.

They invaded, they ate they destroyed and there was nothing you could do to stop them.

Here in the States, there’s really only one very big, very successful company like Morana and their line of products was impressive and their delivery system was unsurpassed which counted for a lot when your product line were coffins.

Binnie went through her workday on that somber Tuesday without as much as a smile or cheery hello to anyone. Her dark cloudy expression was frightening, especially when she started to talk about those darn Morana’s and their “ production line o’ death” and she waved around her sharp little carpenter’s tools to emphasize her points.

Then sometime after lunch she had an idea, a brilliant one, an inspired one and when she punched the clock at the end of her shift she was whistling again and no one asked her what was with sudden change of heart.

It seemed like a good idea not to.

The thing about Morana was that they were one of those 24 hour plants, someone was always going on or off shift and they were always in a hurry to go and very, very slow to arrive.

It only took a few days for Binnie to figure out what needed to be done, who was who and how to complete the task at hand. She hadn’t been made Employee Of The Year, Employee Of The Month and Carpenter Of The Year because no one else competed.

Binnie Cardea was a company woman and a team player extraordinaire.

But she was also very, very self-motivated.

Very.

One month after Morana opened it’s doors something happened that had never happened in the 50 years they’d been in business. They got backlogged.

Boy, did that cost them.

Do you know what happens when a funeral can’t happen on time because the Coffin didn’t show up? You don’t want to know because it involves the court systems and lawyers and judges and that my dear reader is to horrifying for me to go into.

It started out as a mystery and it stayed a mystery, Morana’s workforce clocked in and their co-workers would swear up and down they’d see them at their workstations. They just never clocked out.

It made for some morbid new stories: factory workers disappear into think air at Coffin making company.

It didn’t take long before “ The Production Line O’ Death Company” folded in Edgewater and that black eye forced them down all over the Country.

After all who would want to work for a company that ate its employees alive?

No one ever figured out what happened.

But of course someone knew exactly what happened and how.

Long after that someone had retired and by that time owned exactly half of B&H, almost a week after she passed away at the ripe old age of 92 a construction company worker found all those people from the Edgewater plant in the basement of a little brick building not even two streets away from the big empty ultra modern building once owned by the Morana Corporation.

The Angerona Building has this stone elephant on its roof and it was built in 1899. It was used as a print shop, a restaurant, a gym and even a as a Church.

Then a family called Cardea bought it back in the 1970’s and rented it out for warehouse space.

But really what was interesting about the Angerona Building…what was interesting about all of the buildings on that block as a matter of fact were the series of tunnels that ran under the streets that once upon a time bootleggers used to move their inventory. They could move from the train tracks and docks without ever once stepping foot above ground. The air wasn’t great, but it was dry and quiet and naturally sound proof.

Now, the ‘bootleggers doors’ weren’t really doors. Just holes in the walls that the bootleggers punched out themselves with sledge hammers to make their travels and deliveries more efficient.

There were bootleggers doors everywhere down along the waterfront in Edgewater, including five that were covered not by concrete but by plywood and plaster when the building that they led into was torn down. The name of the building is gone forever but the building that was built over its foundation is interesting…it’s called the Morana Building.

But this story ends at 333 3rd Ave West in the Angerona Building.

In its basements are 50…count them 5-0 wooden boxes lining an unlit tunnel that goes nowhere. Each one is nailed shut and each one holds an awful secret and each one bares the mark

PROUDLY HANDCRAFTED BY BANNATYNE AND HAYMAN                             

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Rider Waiting

27 07 2006

Steed of Nightfall – Mare of Dawn 

I could relate adventures (mostly true)

of midnight rides and tumbled falls

from leaping walls too high,

or being hobbled by deceit,

or wrong bit ‘tween impassioned teeth –

but I never ‘kiss and tell’,

of love affairs with life itself. 

I have told you of ancient ‘NightRiders’,the Shadus Türqusi;

of ‘Riding Wind Horses’at Sakin’el with m’lady Tegsh;

and visits from Eponaand friend E’pal’gasis – 

and I need not ride again … 

yet, I am also the ‘Knight Rider,’

champion of Gwendydd Emrys,

drawn to quest of heart and spirit –

and will ever need a noble steed,

or fane quiescent mare

to bring me home again. 

I lie upon a mem’ried desert slope

a half century past in folly,

to gaze within and beyond

a sweep of heavenly prancers

that chase the fears of nightfall

and dray on the carriage of dawn. 

Their manes swirl with miasmic glow

with eyes of creation’s fire –

while flying hooves strike sparks

from scattered breaths of stars.

The night dreams ripple with their passing,

and I think I’ll capture one –

‘cept the rope I’d need

is still being plaited

from threads of simple love.

 

papa faucon





Mrs Luff – Stable Hand

27 07 2006





A Night Ride, She Says

27 07 2006

A Night Ride She Says

 

 Pt. I

I paused, with the twilight fading into night behind me, at the open double doors into the barn.  A warm, welcoming golden light burnished the coats of the horses looking at the woman at the far end of the spacious barn.

 

I walked slowly toward her, pausing to let this horse or that horse whuffle the palm of my hand . 

I had almost reached the other end when a handsome paint horse stretched his head and neck out towards me.  He rumbled softly in his nose, then turned to face me, his eerie blue-white eyes studying me calmly.

He looked so familiar, as if we’d known each other forever, I ignored the last half-dozen stalls and stopped in front of him. His mostly white face moved closer to me and sniffed, I let him smell my breath and become acquainted with me. 

His face was carved in the finely chiselled lines of the Andalusian forbears in his Mustang heritage.  His solidly muscled frame was a testament to the care he was getting. 

“I see that Chippewa chose you.  He has ignored every other person that had come in search of mounts for the Night Rides.”  

“Chippewa??  His name is Chippewa??”  I looked closer at the liver chestnut and snow-white paint horse. 

He was the living breathing incarnation of one of my two favourite Breyer’s horses I’d had when I was a child.

“Yes.  He’s named Chippewa.  Why?”  The stable Woman smiled a bit, her regular, unexeceptional features were tanned to a lovely golden-brown shade. with the promise of future laugh-lines at the corners of her eyes.

She was unremarkable to see, until you met her eyes.  There was such a calm happiness lighting her blue-grey eyes. 

Her dark brown hair was mostly caught in a braid, with delicate curls forming a halo around her face.  The silver strands around her forehead sparkled with life and vitality, much like her charges.

She had hands that were classic Stable Woman hands, strong from years of work, calloused, with short nails; yet they were sensitive and gentle hands. 

She wore no jewellery, and a small man’s watch was peering from beneath the cuff of her shirt.

She was dressed in a soft tan shirt, tucked into brown denim jeans with a slender leather belt.  The legs of her pants were tucked into a pair of worn Welly Boots.  She had splashes of mud, horse slobber, and road apples from shoulder to toes and still seemed to have an elegant grace. 

She even smelled like a barn, the sweetness of hay and straw, the rich perfume of stored grains, sharp-smelling liniments, saddle soap, and the scent of healthy, happy equines.

“He looks almost exactly like this Breyer horse I adored when I was a kid.”

“Does this surprise you dear?  Isn’t all of this conjured by your imagination?”  When she smiled widely, her appearance was transformed, she grew incandescent and unforgettable. “It does make sense.  Chippewa was always the horse I dreamt of riding.”  I blushed, and then grinned.

“I’ll bet he takes a rubber bit, and has a soft, soft mouth, doesn’t he?”  I automatically tugked an arm under the horse’s neck.  He in turn leaned closer, then nudged my ribs gently. All the memories associated with that particular model horse came cantering back to me.  So many hours I had escaped from an unhappy childhood, astride my sturdy, tireless Mustang.

Sometimes we would gallop as far and as fast as possible, stopping for brief rests in sheltering shadows before resuming our headlong flight. Other times we wandered slowly, pausing to graze here, then splashing through cold, clear streams and up the grassy bank on the other side.

When things were worst we simply stood beneath the shadow of an enoprmous oak tree frosted with mistletoe.  We were side-by-side, my arms around his neck and his head a warm comfort over me shoulder. Tonight I hugged his neck and scratched his ticklish left ear.  I thought of how pleasant it would be to  spend hours in a broad meadow beneath the stars.  As he would graze on the dewy grass I would lose myself in the slow, stately dance of the stars.

I knew, in my spirit, that this was the beginning of a great adventure for Chippewa and myself.  Of what sort I had not yet intuited, yet I doubted it would be a sweet stroll on the grass.

Pt. II

I had slid onto his warm broad back, with only a tied-on blanket between him and I.  I held the reins firmly, relishing the feel of the well-cared-for leather reins between my fingers.  I had foregone even an English saddle, I had never used one on Chippewa in my youthful  dreams.

We trotted into the darkness, crickets chirrrrrrr-chirrrring away, and the occasional frog ribbbitting sleepily from a nearby pond.  We had hardly passed between the brick-and-wrought iron gates when a gravelley, unhappy voice spoke from the darkest shadows. “You’re early.  Good.  My sisters will be here soon.  In the meantime…”  I heard the sound of unshod hooves on the smoothly raked sand of the trailhead.  The horse and rider were huge!!

I was sure the horse was at least part draught animal, and the rider may have been sired by a giant on one of the sisters of Medusa.  He was tall, and heavily muscled, wearing armour reminiscent of the figures on Ancieint Grecian pottery or mosaics.  The inky black horse towered over Chippewa, giving him the look of a slender pony. Chippewa looked up at the horse and bared his teeth, with ears flat against his neck.  This was the only time I had dreamed/ fantasised/seen him behave so, normally he was gentle and sweet-tempered.

The man(?) laughed, sounding like a rockfall from the side of a box canyon.  The horse shook his head from side-to-side, the armour he bore clanking like cast-ironware.  The disturbing thunder of the other Furies (even I could intuit that was who they were) on their black-black mounts grew louder before they joined us by the side of the road. The Sisters were twins, both Giantesses, on enormous mounts, the hair of all three was stiffened into spikes, and I could see the greeney-grey tracery of scarificated tattos on their pallid faces.  The eyes appeared to be black hollows barely lit by deep-set, glimmering flames of red.  The weapons they carried were glossy from care, and each was unique with one purpose. 

Their leather gloves were bristling with spikes, and their hobnail boots had spurs that resembled small scimitars, instead of facing back to spur the horse, these faced outward from the rider, another weapon made to protect vulnerable ankles.  I had no doubt they could have held off the Mongol Hordes with no other warriors at their side.    Their forbidding and angry visages were warning enough for even the foolhardy souls.

“Come!  We’ve much to do tonight!!”  The man spoke sharply and his Sisters shrieked like a storm rampaging in from the North Atlantic.  All four horses broke into a run and then began to gallop towards the stars. I was mesmerised by the landforms reeling below us; I could have sworn that a yellow glimmer from below was the sulfur rising in Crater Lake.  I knew then where we were going, and why

Pt. III

As we circled over the cluster of lights I sensed we were hovering over the small town I had lived in with my ex.  It was time to release the anger, send the ugliness home to where it had been born. 

All the nights I didn’t know what would be worse, another visit from the police or my so-called husband’s rages when the drugs wore off.  The days when I was too ashamed to be seen in public, fearing that everyone assumed the worst about me too.

All of the fights that began with another person, before he carried them home to be his excuse for the heartless and cowardly words.  I nearly drowned on the tears I refused to shed, not wanting him to know that he still had that much power to wound and embarrass.Too many days I wandered away from the house to seek quiet and calm in the library, those states of being were extinct in the building I called ‘home’.

I subsisted in fearful aloneness, and was drowning in the self-doubts that he had hammered into me with spite and a sick sort of vengeance.

I felt every inch a bean side when the cries of justifiable rage that had been kept silent for far too long burst into inchoate voice.

I could feel the cords in my neck swell with the depth of my cry, and tears blurred my vision of of the still-hurtful memories.

As my voice swirled in the heavy air, accompanied by the Furies’ shrieks; a vicious storm burst into noisy, electrified life below us.

Lightning sliced from clouds to the ground below.  The thunder was satisfying in its volume and ferocity.

Hail fell heavily, bouncing almost two feet up after it impacted the ground.  The winds were powerful enough to swirl the hail as if it was Autumn leaves.

Finally, the storm broke, battering against the houses, the heavy raindrops beating trees into submission.

My voice broke as well, with a painful crack;  I gasped before collapsing on Chippewa’s neck and I cried.  Cried with great sobs, tears freezing on my cheeks from the altitude.

The Furies’ Brother angled his horse closer, this time Chippewa did not lash out.  I felt the mailed, enormous hand of Brother Fury carefully encompass my shoulders.

I finally looked up, and stared, for a moment I could have sworn the Brother Fury had a human face, and sorrowful blue eyes.

“It is finished?”  He rumbled, removing his hand from my back.

“Yes, for now.  I will shed quieter tears in bed later, in private.”  When I spoke the ice on my face shattered, and when it landed on my hands it was not ice but crystals.  They had shattered longitudinally, becoming graceful leaves of clear crystal.

After studying the crystals for the moment I tucked them into a pocket.  “I’ll cleanse them when I get home.  Then I’ll keep them, to help me be empathetic to other’s heartaches and secret sorrows.”

“It is time to go, look…”  I followed Brother’s pointed finger, to a sunrise that was just beginning to lighten to the East.

“You’re right.  It is time for me to rest well, and enjoy happy dreams.”

The swift ride back to the barn was taken in utter silence until we landed near the barn.  Chippewa looked in the direction of his stall with longing.

“I believe that it is time for my old friend to rest too.”  I finished the sentence to no-one, the Furies had gone to their home.

I cooled down Chippewa, stroking him from time to time.  He was silent, as was I.  When he was dry and relaxed under my hand I led him to his stall, and gave him some tepid, clean water.

I left the barn, knowing that if I should need him, Chippewa would be waiting for me, stretching his head in my direction.





The Journey Begins.

27 07 2006

I had decided to nap at the inn and now awoke to a loud clanging bell. Someone was yelling ‘The Ferrywomen are coming’. I got up and ran to the window.

It was a beautiful, clear night, still and quiet. I looked to the jetty to see a few little boats mooring and more arriving. I quickly grabbed my bag and a jacket, put on my boots and ran to the jetty as fast as I could.

A little nervous, I looked around to see other people boarding small boats and barges. Please let me not be too late, I thought. Quickly scanning the length of the jetty I saw a little boat that had just arrived. I ran to it and asked ‘may I board your boat’? ‘Are you sure’? a female voice answered. ‘Yes, I’m sure’, I replied.

With a graceful wave of her hand she invited me onto her boat. ‘Thank you’, I said, as she began to depart. ‘I thought I was too late’. ‘You’re never too late for this journey – unless your dead of course’, she replied. I gave an uncertain grin and sat silent while attempting to see her face from under the hood of her cape.

‘How far is it’? I asked. ‘The Isle of Ancestors isn’t that far away, just a short trip, so relax and enjoy the ride but the journey itself can be as long or short as you wish to make it’.

I sat gazing at the night stars pondering what she had said and realised how very wise her words were – as we both knew she was talking about the ’souls journey of enlightenment’.

It wasn’t long before I realised we were approaching an Island. As it was dark, I couldn’t see much to describe it, other than the black outlines of mountains or cliffs, the white tips of the waves as they rolled into shore and another jetty protuding from the coastline.

Before I knew it we were at the jetty. The Ferrywoman turned to me and said. ‘Your journey continues’. Her tone of voice was quiet, gentle, understanding. ‘You seem to know this journey well’, I said. ‘I take it many times myself and help others to do the same’, she replied.

With that remark, she removed the hood of her cape and I saw a beautiful, dark haired, middle aged woman, whose eyes were filled with love and compassion.

‘To learn from ones ancestors is a rite of passage none of us should ignore for there are many great lessons that will help us to understand the past, live the now and give insight into the future. I wish you many great insights for your journey. You must go now and so must I – farewell, have faith.

I stepped onto the jetty and turned around to thank her again and bid her farewell, she was already preparing to leave. She quietly said, ‘it is I who thanks you for allowing me to be a part of your journey’ and with that she pushed off from the jetty.

Morgaine.

Camelot Scribe & Correspondent.

Terry Seed.





The Creative Self.

27 07 2006

camelotscribe said,

July 22, 2006 at 4:05 pm

Yes, I’ve thought of mudering her hundreds of times…

I’ve ignored her for long lengths of times…

I’ve conversed with her a few times…

I’ve rejected her many times…

Only to find…

She wants to be free…

Free to converse with me…

Free to challenge me…

Free to create with me…

Accepted by me…

As part of me…

Morgaine.
Camelot Scribe & Correspondent.
Terry (Teresa) Seed.